Author: seth

  • thames

    With T.S. Eliot’s poem The Wasteland as a starting inspiration I joined some colleagues in London on an urban expedition in the form of a four day walk on the river Thames. It was sort of like ››Romania except the 2012 Olympic Games were going on.

    Here’s an email excerpt from the initiator of the Wasteland Project Stephanie Bain 30 May 2012 describing the aim of the research:
    “I want to challenge the concepts and the boundaries of what the expedition model – as conceived by Teatr Pieśń Kozła – can be. I’m asking is it possible to do an urban expedition? Is it possible to explore a familiar environment, but to see it with new eyes when looking at it as inspiration for performance making? On re-reading The Wasteland by T.S. Eliot, I was drawn to the dialogues of London that weave together mythological images and songs that flow through the city by focusing on the river Thames as a rich symbol for birth, for death, for the passing of time. I was inspired to work on The Wasteland as performance material and this source text opens up the idea of an expedition to the communities around London docklands; Greenwich and the Isle of Dogs.

    The expedition would be a walk along the East London to Essex portion of the Thames Path. I’m going to finalise this route within the next week but it’s likely that we’ll start around Canary Wharf and walk through Greenwich and Docklands and out into Essex. The idea is to talk to people on houseboats, to talk to people in pubs, to perhaps arrange a meeting with the veteran dockers union, to talk to people at some small agricultural fairs on route (lots of weird and very English stuff!). I need to do some more research this week, but there are some campsites along the route and in an effort to save money/adhere to expedition ethos we would probably be camping. Then we get back and get into the Tunnels space for the R&D weeks. There’s some specific actor research that I want to explore in this phase, but that’s for later. This email is long enough already.”

    To Carthage then I came

    Burning burning burning burning

    O Lord Thou pluckest me out

    O Lord Thou pluckest

    burning ~t.s. eliot

  • The Game

    Concept:
    Maja Godlewska, Daniel Han, and Marek Ranis

    Performers
    Gabriel Rodriguez Almagro, Sam Alty, Emma Bonnici, Seth Compton, Joshua Doerksen, Daniel Han, Alexandra Kazazou, Magdalena Koza, Diego Pileggi, and Anu Salonen

    Movement Direction
    Daniel Han

    Narration
    Joshua Doerksen

    Set/Instillation
    Marek Ranis and Maja Godlewska

    Photography
    Karol Jarek

    Music
    Sean Mulcahy and Mathew Tuly

    Editing
    Chris English Pittman

    Film by
    Mark Ranis

    The Game was played during Survival 10 Art Review, 21-24 June 2012, Wrocław, Poland.

    The Game from Marek Ranis on Vimeo.

  • Schulz

    We lived on the Rynek, in one of those dark houses with empty blind looks, so difficult to distinguish one from the other.

    This gave endless possibilities for mistakes. For, once you had entered the wrong doorway and set foot on the wrong staircase, you were liable to find yourself in a real labyrinth of unfamiliar apartments and balconies, and unexpected doors opening on to strange empty courtyards, and you forgot the initial object of the expedition, only to recall it days later after numerous strange and complicated adventures, on regaining the family home in the grey light of dawn.
    -Bruno Schulz, 1934

    Drawing on Schulz
    Cast: Sam Alty, Gabriel Rodriguez Almagro, Stephanie Bain, Georgina Biggs, Agnieszka Bresler, Seth Compton, Angela Delichatsios, Paolo Garghentino, Ilona Krawczyk, Piotr Antek Kurjata, Rea Mole, Mariae Smiarowska

    Artistic Director: Anna Zubrzycki
    Assistant Directors: Rafal Habel, Anu Salonen,
    Creative Consultant: Gabriel Gawin
    Music: Maciej Rychly, Sam Alty and traditional Romanian music and songs
    Set and Costume design: Mira Zelechower-Aleksiun
    Production Coordinator: Rafal Habel
    Production Assistant: Diego Pileggi
    Artwork: Klaudia Kost, Kamila Dydak
    Expedition Coordinator: Niamh Dowling
    Documentary Filmmaker: Tomo Brody
    Expedition Translator: Gina Calinoiu

    Teatr Pieśń Kozła, Wroclaw, Poland
    12 and 13 April 2012, 7pm
    22 and 23 April 2012, 7pm

    Capitol Theatre, Manchester, UK
    18 April 2012, 3pm and 6pm

    Young Vic Theatre, London, UK
    20 April 2012, 2.30pm and 4pm

  • Romania Photos

    I got my first digital camera. Here are some photos from the Romania expedition. Some of these were used by the scenic designer to create the world for actors to play in.

  • Romania Video

    Along with a group of theater students I traveled to rural parts of Romania where we began the creative process of making a new devised theater work. We learned dances and songs from the people we met which were then adapted and built into the performance.