Category: Research

Workshops, expeditions, rehearsals, training, rading, process

  • Five Bullets

    Thing that moved me this week: Story Corps is a national treasure. They consistently remind me how amazing our every day lives really are.

    Thing I’m listening to: Louis CK is at the top of his game. This is known. I love this old quote about the years of hard work it took to get there: “give it a minute!” This week I just heard his reflection on being interviewed by a critic who suggested HBO cancel his first show Lucky Louie. He wanted to write a mean letter in response but he didn’t. Listen to this five minute clip from Fresh Air to hear why.

    Books I’m reading this week: Sea of Monsters and Titan’s Curse. That’s the kind of week it’s been.

    Art work I’m inspired by: A colleague at work let me use some of her sculptures in a few storytelling sessions I had at school for Mad Hatter’s day. So I came up with a 20 minute adaptation of Alice’s Adventures in Wonderland. When teachers see my library sessions they come up to me after and say, “Wow, you could be an actor.” Check out the amazing work of Liudmyla Bezusko here. Maybe this will start a bigger collaboration.

    New movie I’m excited for: New Wes. New Wes.

    Honorable mention of awesomeness that stands the test of time: I’m in the middle of a Harry Potter home film festival and Prisoner of Azkaban, directed by Alfonso Cuarón is still an awesome movie. I was a projectionist when that came out and I can remember so many frames of that film. It is a beautiful fusion of storytelling and filmmmaking; an emotional roller coaster full of craft and subtlety. As the young child actors started getting better at longer scenes, Cuarón didn’t overwhelm them with carrying too much dialogue in his long takes. It seems as though he put them with some of the older, more skilled actors, and told the children to just listen. That’s a great acting lesson.

  • September in Review

    [one_third padding=”0 2px 0 0″]Art Making

    This month I learned a song and played with the violinist Natalia Czerska. It was for a video project that will be a message to friends at a nearby Jewish school.

    [/one_third]

    [one_third padding=”0 2px 0 0″]Teaching

    I’m clarifying a lot of my ideas of how drama fits in the IB program with a new academic coordinator. Unit planners, inquiry questions, assessments…[/one_third]

    [one_third_last padding=”0 2px 0 0″]Producing

    Life. I’m producing life. Taxes. Housing update. Passport renewal. Library.[/one_third_last]

  • Five Bullets

    What I’m building this week: I got a boat for an upcoming performance of “A Tempest.” The actors and I are going to build it into a vessel which will introduce the story and show. There is also a good chance that I will be directing a number of shows that have a boat or water in them: Pirates of Penzance, Peter Pan, Fisherman and His Wife, O’Niel’s Plays of the Sea…

    What I bought this week: I bought the rights to a private city garden. My “dzailka” is very close to my flat. I have been spending most of my holiday outside trying to get it ready for planting. Soon I’ll be getting a grill and relaxing there in the summer time.

    New medical fact: I had surgery on a tooth which had developed an infection 8 years after my root canal. A little bacteria was sitting at the root of the tooth for 8 years until it made itself known with a little pimple on my gum. It amazed me that a bacteria could stay alive for that long and win. Patient little bacteria. I won’t describe the surgical procedure. Let’s just say I look like a lopsided chipmunk.

    Book I’m reading this week: “Sideways Stories from Wayside School” by Louis Sachar. This could quite possibly be future source material for Character Studies. Each chapter is a different character from this sideways school. It was supposed to be a school with one floor and thirty rooms. But the builders were holding the blueprints sideways and so there are thirty floors with one room each floor.

    What I’m listening to: Lin Manuel Miranda demos. Recently a friend (that I recommended Hamilton to) just discovered how great it is. So I went back to watch the original video of the Poetry and Spoken word event at the White House, and I cried. One of the first people to tell me about Hamilton then sent me the Soundcloud demos. Now I have spiraled and back on the habit of nonstop listening. Check the demos out. Hamilton will definitely be a part of any future unit I teach on musical theater.

  • Five Bullets

    What I’m reading this week: A Heartbreaking Work of Staggering Genius by David Eggars. I got it for 2zl at the Wroclaw International School book fair. It has been on the list for a long time.

    TV show I watched this week: Girls Series Finale. There were times that I thought this TV show was about four young women who really didn’t like one another. There were episodes in which the characters were so angry at one another and that bothered me. When I discovered the show Broad City I found a show about young funny women who really love one another and support each other. But at the end of Girls, I remembered how bold and daring a writer Lena Dunham is. The series regulars (actors who are on the show regularly) were all fantastic. While there were stretches of the series that I found hard to appreciate, in the end, it is a pretty amazing body of work. “What is a normal day, anyway?”

    What I’m eating this week: Well, it was Easter and Poland has a lot of delicious traditional food around the holidays. My favorite – I’m not sure what it is called – the salad with carrot, peas, corn lots of mayonnaise and pickles, or pickled herring.

    More stuff I’m watching: Charlie Chaplain’s Modern Times. Meyerhold (see week before) was such a big fan at the end of his career that I thought I should watch it for a refresher.

    Best compliment I got this week: “Nice deck!” I made my first power point presentation (only not with Microsoft Power Point). I gave an informal presentation and I think it was an effective tool. I don’t think of myself as a power point kind of guy but maybe I’ll use it more often to express my ideas.

  • Five Bullets

    What I’m looking at this week: The Best Polish Press Illustrators. Artists like Tomasz Broda, Joanna Concejo, Paula Dudek, Jan Kallwejt, and Rafal Szczepaniak.

    What theater maker I’m studying this week: Vsevolod Meyerhold. He lived in Russia (1874-1940) during turbulent times. He was quite fascinated with the traditions of commedia del arte. The ideas of stylized, grotesque, music hall, were early inspirations for him. Eventually he based his entire system of acting on principles connected with silent films and its masters like Charlie Chaplin and Buster Keaton. Meyerhold loved music and was quite provocative in his choices and style. He worked in a laboratory setting to develop his ideas. He was a pupil of Constantin Stanislavsky and worked with Anton Chekhov and Dimitri Shostakovich.

    What I’m reading this week: Alice in Wonderland. The edition I am reading is beautiful and filled with artwork by Yayoi Kusama.

    Poem I’m reading out loud this month: (It is national poetry month) The Goblin Market by Christina Rossetti.

    Movie I want to see: Mr. Gaga

  • Five Bullets

    Tip of the week: After reading dozens of responses to questions such as “What does it feel like to breathe? What parts of the body move when we breathe?” I suggest you actually try it out. Breathe. For five minutes. And then answer the question in your own words. Answers that felt authentic received the highest marks.

    What theater I saw this week: I went to the Wroclawski Teatr Pantomimy to see Batory trans directed by Martyna Majewska. The music was great. There were a few interesting images and moments but I cannot recommend this performance. Hopefully we will find something spectacular to go to.

    What music I’m listening to: I’ve been listening to come contemporary classical music this week looking for new sounds to bring to class. I like John Laurence Adams “Like Ocean.”

    What play I’m working on: The Tempest by William Shakespeare. I am adapting this story with 7-11 year olds. We have been working since October and the kids have just been given their parts.

    What app I’m using: Overcast is an iOS app for podcasts. Podcasts are one of my favorite things about the Internet. Since I live so far away from home they are my main source of news, entertainment, and culture. A few websites say Overcast is the best podcast player. I agree. My most played podcasts are Democracy Now (a progressive news channel), Song Exploder (each episode is an inside how popular songs get made), The Business with Kim Masters (a behind the scenes look at Hollywood business and movie making), and Design Matters with Debbie Millman (interviews with lots of different artists and designers). What podcasts do you listen to? Tell me after class someday

  • Five Bullets

    What book I’m reading: Backwards and Forwards By David Ball. It calls itself a technical manual for reading plays. It takes a very focused view of drama as being an art of action. The author suggests that the key to unlocking how plays work is to focus on what the characters do and what they say to get what they want. It creates a set of vocabulary that seems useful to describe other parts of plays and their function. For example stasis, intrusion, obstacle, conflict are all clearly defined and used to break down classic modern play scripts.

    What play I’m reading: Ghosts by Heinrik Ibsen. To try out the ideas in Backwards and Forwards, I’m going to read some old plays. This week I found a used text book of modern plays at an English bookstore. The first play in the book is Ghosts. I honestly didn’t remember much from the first time I read this play as a student. I enjoyed reading it this time. The character of Oswald reminds me of Edmund from Long Day’s Journey Into Night. I like Ibsen’s side burns (see below).

    What I’m playing: My family was visiting for the holidays and almost every night we played either Jenga or Wsiąść Do Pociągu (Ticket to Ride). While we were visiting Krakow I found a very cool new place – Pinball Arcade Museum. Check them on Facebook at: Krakow Pinball Museum – Interaktywne Muzeum Flipperów.

    fWhat I’m listening to: Moon Shaped Pool by Radio Head.

    What movie I watched: Harold and Maude directed by Hal Ashby. Maude: “Everybody should be able to make some music. That’s the cosmic dance.”

  • The World as A Place of Truth

    Here is a full list of all the shows I saw this year as part of the Theatre Olympics held in Wroclaw from 14 October – 14 November 2016. I didn’t see everything and really wish I could have attended more of the talks and performances from the “More Than Theatre” line. The festival was divided into different “lines” Main Section – the masters, Eastern Line – young independent theater from Eastern Europe, Grotowski Institute’s Programme – emerging artists who have worked through the Institute, Lower Silesian Theatre Platform – regional work; More Than Theatre – centers around artistic and social issues relating to the art of people with disabilities.

    [one_half]

    Main Line

    The Trojan Women

    Suzuki Company of Toga

    Japan

    Dir Tadashi Suzuki

    Kuszenie cichej Weroniki (The Temptation of Quiet Veronika)

    Teatr Polski we Wroclawiu

    Poland

    dir. Krystian Lupa

    Life Between Heaven and Earth

    Zhejiang Drama Ensemble

    China

    dir. Liu Libin

    Masquerade: Recollections of the Future

    Alexandrinsky Theatre

    Russia

    dir. Valery Fokin

    Medee: On Getting Across

    Teatr Zar

    Poland

    dir. Jaroslław Fret

    The Tree

    Odin Teatret

    Denmark

    dir. Eugenio Barba

    Go Down Moses

    Socìetas Raffaello Sanzio

    Italy

    dir. Romeo Castellucci

    Max Black, or 62 Ways of Supporting the Head with a Hand

    The Snanislavski Electrotheatre

    Russia

    dir. Heiner Goebbels

    Dziady (Forefathers’ Eve)

    Teatr Narodowy w Warszawie

    Poland

    dir. Eimuntas Nekrošius

    Krapps’ Last Tape

    Change Performing Arts

    Italy

    dir. Robert Wilson

    Attends, attends, attends… (pour mon père)

    Troubleyn/Jan Fabre

    Belgium

    dir. Jan Fabre

    Prometheus Bound

    Attis Theatre

    Greece

    dir. Theodoros Terzopoulous

    Amor

    Attis Theatre

    Greece

    dir. Theodoros Terzopoulous

    Battlefield

    C.I.C.T. – Théâtre des Bouffes du Nord

    France

    dir. Peter Brook, Marie-Hélène Estienne

    [/one_half]

    [one_half_last]

    Eastern Line

    Disconnected

    Farm in the Cave

    Czech Republic

    Boi

    ProFitArt/Studio Matejka

    Czech Republic

    Scores of Reality

    Body Snatchers Theatre

    Poland

    Sczelina (The Crack)

    Teatr Chorea

    Poland

    Teatr Kana

    Projekt Matka (Project: Mother)

    Poland

    The Muzzle of Silence

    Aftab Theatre Company

    Iran

    Gospels of Childhood

    Teatr Zar

    Poland

    Songs of Lear

    Pieśń Kozła

    Poland

    Insenso

    Alexandra Kazazou

    Greece

    [/one_half_last]